in english
I send that according to the overhang of the works
VESPETRObreizh
1. Round of holy Vincent (on Oust!)
2. Kerouezées
3. Avant two Pléboulle
Suite Loudéac's
4. First round dance: / cheerful the violet
5. Baleu: they are the girls of Langast: Jacqueline: song,
source Joseph Le Breton Plemet in Songs of the Countries of Oust and of Lié 1-st collection
6. Second round dance: a p tit tour of hurdy-gurdy / of some wood in the bank
7. Riquegnée: sou will call her : Sylvain voice Riquegnée
Souvenir of the childhood
Dirty Boy La Riquegnée
The pig in the field
The sheep in the meadow
Presses its weight on the balance
And one thousand sous is going to bring back
And then adolescence
Reggae and Riquegnée
Mobylette with essence
Affairs in secret
Not it is not decline
But life which makes its ballet
Enter so the dance
Ladies La Riquegnée
The lads bring in in trance
The girls go in quoted(esteemed)
The violin, which plays in step
The small feet, is going to warm.
Enter so the dance
Mister La Riquegnée
Les girls make advances
The lads go for them
Not need to make reverence
Let us turn, let us turn the Riquegnée
8. Scottisches: to Virmoux / the swedes:
(the full orchestra of hurdy-gurdies and bagpipes 20eme publishing(edition) of saint Chartier's 1995 meetings (Mirlitantouille)
9. Avant two of Pléhérel
10. Circassian Cercle: Swedish Country dance, Brian O Lynn (jig Patric street), jig saint Chartier
11. Valses Irish : Drawn in the soap / the green breezes / winds
12. Avant two of Plévenon: The 3 plés
13. Bourrées 2 times: Pulled(fired) from the cassette "chez jeunesse" /At Youth from Trio Bouffard: Bourrée to Durin / Là-haut on these mountains
Thierry Le Gallo-Violon. Musician self-taught and being crossed(spent) in the hands of various bosses (René Werneer, Kevin Burke, Jean Pierre Champeval) Thierry develops a personal style which integrates the multiple influences of the baroque, the traditional musics of Ireland, Brittany, but also the centre of France for these traditions of violin. Of more Thierry possess a repertoire of fragments and a knowledge of the traditional musics which many could envy him. The presence in Kasadenn joins in this route(course) and in Its search for game with the hurdy-gurdy which he knows very well.
Sylvain Rohaut-Uileann-Pipes. FLUTES:
After 15 years of South American music, Sylvain discovers Uileann pipes to the contact of Patric Molard, of which it was one of the first pupils in CARHAIX'S MJC (homesickness when you hold us) He participates in Miltown Malbay's summer schools in Ireland and creates the Trio Kenwean with his partner in the harp, which will give numerous concerts from 91 to 96. After a small break deserved well Sylvain interprets a creation with the symphony orchestra A Piacere of St Brieuc in 1999. Fond of new experiences(experiments?), he joins Kasadenn for a still new sound search with the hurdy-gurdy.